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Cult punk film revives hunt for Ulster arsonist

May 25, 2013
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Discoverer of Undertones calls for fresh inquiry into 2004 blaze that destroyed huge collection of Northern Irish punk

It was a blaze that wrecked businesses, destroyed 50,000 vinyl records and left a large part of Northern Ireland’s punk history in ashes – but the culprit has never been found.

Now Terri Hooley, the new-wave impresario who discovered the Undertones, is hoping that publicity around a cult Ulster punk movie will spur the Police Service of Northern Ireland to reopen its investigation.

Hooley ran the Belfast record shop Good Vibrations, a 1970s centre of Northern Ireland punk whose record label released the Undertones’ single Teenage Kicks. But a firebomb attack in April 2004 destroyed a huge collection of his records, artwork from the punk era, rare posters and photographs as well as newspaper and magazine cuttings.

Hooley branded the initial inquiry into the arson attack in the art deco North Street Arcade a “sick joke”. But now the story of Good Vibrations has been turned into a movie of the same name and Hooley is hoping its release last month will kickstart a campaign to bring those behind the blaze to justice.

Hooley and other traders in the arcade – 20 businesses were destroyed in the arson – have also demanded a public inquiry.

Back from a tour of Moscow, where Good Vibrations – which received a four-star film review from the Guardian’s Peter Bradshaw – has become a hit with young Russians, Hooley said: “We have never forgotten what was done to us. I want to use the publicity around the film to put it up to the PSNI and get them to take this seriously again. Twenty-three shops and art centres were burned out.

“The PSNI should tell us who they interviewed about this fire and talk to the owners again about who we believe were behind the arson. This was one of the worst acts of urban vandalism in post-ceasefire Belfast.”

Hooley also revealed that in the months after the blaze he and other owners received threatening calls. “They didn’t mention the fire but amid all the publicity I started receiving phone calls, including one from a man who reminded me: ‘You have a young son.’

“I told them they would never intimidate me just as the paramilitaries never intimidated me when I had Good Vibrations going in the 70s.”

A PSNI spokesman said the inquiry remained open. “All lines of inquiry were pursued at the time of the incident. The file remains open and the investigation is still live,” the spokesman said, urging anyone with information to contact the police or Crimestoppers on 0800 555 111.”

A spokesman for the police ombudsman’s office in Northern Ireland, which investigates complaints about policing, said Hooley and the other former key-holders of North Street Arcade still had the right to file a complaint once the PSNI inquiry was complete.

North Street Arcade, in the Cathedral Quarter area of Belfast, was built in the art deco style in 1936 and was regarded as a chic shopping mall that lifted the spirits of passersby and shoppers alike during the depression.

In the early 1990s, as the area around became run down, it evolved into a home for alternative record shops, punk and Gothic clothes shops and hairdressers as well as a haven for artists.

Henry McDonald

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Cannes film festival diary: day 10

May 25, 2013
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As a memorable if wet festival draws to a close, and Blue is the Warmest Colour emerges as a tentative Palme d’Or frontrunner, The Immigrant seems to capture the prevailing mood of fatigue

When the Cannes logo swings into view at the morning screening, the delegates greet it with a warm round of applause. It could almost be the very first screening, two Wednesdays in the past, when hopes were high and the whole festival stretched out like some fresh new frontier. On that occasion the guests applauded in excited anticipation. This time, I think, they are demob happy.

By the fag end of the Cannes competition the legs have gone, the brain is woolly and the films themselves appear to have come out in sympathy. Michael Kohlhaas is a creaking, unyielding historical horse-opera that finds Mads Mikkelsen jutting his chin and staring endlessly into the middle distance as the resolute leader of a peasant revolt. The Immigrant starts out as a handsome, heavy saga of 1920s New York before suffering the cinematic equivalent of a nervous breakdown about midway through.

Marion Cotillard is the Polish innocent turned prostitute, resplendent in peacock feathers, while Joaquin Phoenix sparks and crackles fitfully as her jittery pimp. These two love each other and hate each other, but the film finally sloughs into such a state of dishevelment that it’s hard to care about their American dreams.

Over the past 24-hours, there has been a tentative, shuffling move to anoint Blue is the Warmest Colour as the Palme d’Or frontrunner. The sense is that Abdellatif Kechiche’s lesbian love story ticks all the right boxes, in that it is small but expansive, gently political, and formally radical enough to appease the fringes without spooking the mainstream. No doubt the film would make a worthy winner, though I still nurse hopes for Inside Llewyn Davis or La Grande Bellezza. Paolo Sorrentino’s stunning, swirling portrait of Rome’s high society is, I’ve decided, my film of the festival. Assuming it doesn’t take the Palme d’Or, the best director award looks a good enough bet.

All told, this has been an excellent festival; far superior to last year’s vintage. The rain fell hard but it was unable to dampen the spirits or wash out the programme. The films, by and large, stood up brilliantly. It is only now that this event is showing distinct signs of wear and tear.

La Grande Bellezza wraps up with a wonderful segment involving Sister Maria, a decrepit saint, who sleeps in a cupboard from where she is periodically wheeled out to stand insensibly at photocalls or sit around at fancy dinners. Sister Maria is barely moving, barely alive. Her obsequious spokesman explains that she turns 104 next birthday. “I thought she was older,” says a guest at the table.

One day, perhaps, Sister Maria will be installed as the patron saint of the Cannes film festival. In these, the dying hours, she is the one to whom we can all relate. I’m staggering about in the bowels of the Palais. I’m standing insensibly in the line for the films. I require a quiet cupboard where I can lie down and sleep.

Xan Brooks

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Zach Braff: ‘I introduced Woody Allen to Kickstarter’

May 25, 2013
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The Garden State star has explained how he instructed the veteran director in the ways of the crowd-funding platform – to reportedly great effect

Woody Allen may be jumping onto the Kickstarter bandwagon after Zach Braff gave him a masterclass on crowd-funding when they met to discuss a potential future project.

In an email to Braff, Allen’s assistant reportedly revealed that the 77-year-old film-maker “won’t stop talking” about the fundraising platform and was “riveted” by Braff’s explanation. Braff recounted details of the meeting in an interview on the SiriusXM show Unmasked.

Braff turned to Kickstarter to bankroll his latest project, Wish I Was Here, which he will direct and will star himself, Kate Hudson and Anna Kendrick. The film will go into production later this year after the $3m required was raised, but Braff met with criticism from some who felt that established stars should steer clear of the platform.

The concept appears to have been a revelation to seasoned director Allen, whose most recent films have been shot in Europe partly for financial reasons.

One of Braff’s earliest big-screen roles was playing Allen’s college-age son in the 1994 film Manhattan Murder Mystery.

Paul Frankl

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Cannes 2013: bidder pays £1m for trip to space with Leonardo DiCaprio

May 25, 2013
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A starry time is guaranteed aboard Richard Branson’s spaceship, sat next to the Hollywood actor – and it’s all for charity, too

A charity bidder at Cannes has won a journey into space sat next to Leonardo DiCaprio, writes The Hollywood Reporter. The lot, which went for €1.2m (£1m) at the annual AmFAR Cinema Against Aids gala at the Hotel du Cap, was listed in as a “once-in-a-lifetime trip to space with a mystery guest” on Richard Branson’s Virgin Galactic fleet of ships. A second pair of seats sold for €1.8m (£1.5m) for the same flight, totalling €3m (£2.6m) of the total €20m (£17m) raised, a 50% increase year-on-year.

The identity of the passenger that the bidder would be sharing starry observations and possible nausea with was not revealed until after the gavel had fallen, but DiCaprio was present at the charity dinner, along with Cannes jurors Nicole Kidman and Christoph Waltz. DiCaprio has been in town promoting The Great Gatsby, which opened this year’s festival last week. Whether or not his space companion is a fan of the film has not been revealed.

Weinstein joked that many in the industry would like to see him shot into space too, “but only on a one-way ticket”. The 66th Cannes film festival ends on Sunday, 26 May, when the winner of the Palme D’Or will be announced.

Paul Frankl

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Sir Christopher Lee’s new album will be ’100% heavy metal’

May 25, 2013
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Actor to release Charlemagne: The Omens of Death, recorded with Judas Priest’s Richie Faulkner, on his 91st birthday

Sir Christopher Lee has completed his second rock record – and the good news is that it’s “100% heavy metal”.

The veteran actor, best known as Dracula in the Hammer horror films and Saruman in the Lord of the Rings trilogy, will release Charlemagne: The Omens of Death, on 27 May, his 91st birthday. The album, which was recorded with Judas Priest guitarist Richie Faulkner, is the followup to 2010′s Charlemagne: By the Sword and the Cross.

“The first Charlemagne album is metal, of course, but what I sang was more symphonic,” Lee said. “Now on the second one, The Omens of Death, it is 100% heavy metal. I’ve done my bits and pieces, and they are heavy metal. I’m not screaming or anything like that, but it is definitely heavy metal.”

Faulkner added: “Most of the songs were already there, but they needed riffs, drum parts and musical parts that reflected what the guys wanted – which was a metal record with an aim to be played live by a band. Some of the tracks didn’t have any music at all and were just Sir Christopher singing his melodies. I remember how surreal it was sitting in my place at the time with Saruman blasting out over the speakers! I’ve no idea what the neighbours thought.”

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Once Faulkner left the project in order to join Judas Priest as KK Downing’s successor, the position of axeman was taken over by Guitar Idol 2009 runner-up Hedras Ramos.

“It was a lot of fun for me,” Ramos said. “I just had to listen a lot to Iron Maiden, Judas Priest and all those guys – the old-school heavy metal – to absorb the sound and the flavour of this music. Composing the music for The Devil’s Advocate and The Ultimate Sacrifice was quite a trip and tons of fun, because I was given total freedom to add my personal guitar approach to the album. This is a great album for all metal, fantasy and Christopher Lee fans!”

Charlemagne, also known as Charles the Great, was the first holy Roman emperor, in the eighth century, and the first emperor in western Europe since the collapse of the western Roman empire three centuries earlier.

Lee was given the Spirit of Metal prize at the 2010 Metal Hammer Golden God awards for By the Sword and the Cross.

Dan Martin

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Giant Star Wars X-wing Lego model unveiled in New York – video

May 25, 2013
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A life-sized Star Wars X-wing starfighter, made entirely out of Lego, touches down in New York’s Times Square on Thursday

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