Daily Archives: July 12, 2012

UK censors ask focus groups to watch sexually violent films

July 12, 2012
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BBFC tries to gauge attitudes to the depiction of sadism and violence after The Human Centipede 2 and The Bunny Game

Britain’s film censors have commissioned new research into public attitudes to depictions of sadistic and sexual violence in the wake of films such as The Bunny Game and The Human Centipede 2 which push, if not cross, boundaries of what is acceptable on screen.

David Cooke, director of the British Board of Film Classification (BBFC), said focus groups had already started watching some of the more extreme films. “We are asking the public on a fairly in-depth basis to look at some of this difficult material,” he said. “We’re really trying to get their take on whether the things they are seeing seem to them to be harmful or not.”

It comes in the wake of films such as The Human Centipede 2 (Full Sequence) – in which a man achieves sexual gratification from stapling together his victims and which culminates in him raping a woman with barbed wire – and The Bunny Game, which mainly features the abduction, sexual abuse and torture of a prostitute by a truck driver. The latter film was banned outright by the BBFC while it insisted on heavy cuts to the former.

The focus group will also watch Lars von Trier’s Antichrist, the 2010 A Serbian Film (which has scenes depicting child rape and necrophilia), the 2008 film Martyrs (which contains sadistic violence) and the Michael Winterbottom film The Killer Inside Me – an example of a film that was abhorrent to some and critically praised by others.

Cooke said all members of the focus groups had been chosen carefully and would have access to counselling should they need it.

The last similar research was carried out a decade ago when the focus groups were watching films such as Straw Dogs and Death Wish 2.

Cooke said it was important to have a thoroughly researched policy on sexual violence, not least to use in the “fine-grained” arguments that would be heard should the BBFC be taken to court by a film-maker or distributor for banning a movie.

“We have a very strong repeat finding that the public expects us not to intervene at the adult level so that there is free choice, unless something is against the law or unless there is a harm issue. The most likely place to find a harm issue is sexual or sexualised or sadistic violence,” he said.

Ipsos Mori is carrying out the research, the conclusions of which will be published later this year. “It will feed into our policies for intervention in these areas,” said Cooke.

“I have no idea if it is going to produce a more interventionist policy or not. I find it quite difficult to imagine that the public is going to say there is no issue here, that we should just go away and ignore it all.”

The announcement was made at the launch of the BBFC’s 2011 annual report. Looking back, Cooke said there had been noticeably fewer complaints about films in 2011 and, perhaps surprisingly, it was Darren Aronofsky’s psycho-sexual thriller Black Swan which had prompted the highest number, 40. “My theory is that this was a case of confounded expectations,” Cooke said. “People maybe thought they were going to see a nice ballet movie.”

The most complained about film this year, so far, is The Woman in Black, starring Daniel Radcliffe, which prompted 120 objections. It has a bit of a way to go to challenge the most complained-about film of the last decade: the Batman film The Dark Knight, which attracted just over 300 complaints, mainly about the sadism of Heath Ledger’s Joker.

Cooke defended the board’s policy on swearing in the light of criticism at the Cannes film festival from the team behind Ken Loach’s The Angel’s Share, who had to cut out several instances of the word “cunt”. Writer Paul Laverty accused the BBFC of being obsessed with the word. “It is a word that the broad public opinion wants us to be vigilant about,” said Cooke, and it was still “top of the charts” in terms of it being the worst swearword in the eyes of the broader public.

He admitted that the BBFC had trouble counting instances of the c-word in the film because there were “lots of quick and very fleeting uses”.

Whether attitudes to swearing are becoming more tolerant will be put to the test next year in one of the BBFC’s big public consultations of 8,000-10,000 people which it carries out every four or five years.

Mark Brown

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Channing Tatum makes a leap for Evel Knievel biopic

July 12, 2012
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The Magic Mike actor is set to play the American stuntman entertainer – known for his daredevil motorcycle jumps and outlandish costumes – as well as produce the film

Channing Tatum is set to play Evel Knievel in a planned biopic of the American daredevil, according to the Hollywood Reporter.

Tatum, who strips to his skivvies in Steven Soderbergh’s Magic Mike, will climb into Knievel’s stars and stripes jumpsuit to bring the legendary stunt rider’s story to the big screen.

Knievel, who earned a Guinness world record for surviving 433 broken bones during his 20-year jumping career, was famous for flying on a motorbike between skyscrapers, through walls of fire and over cars, trucks and even a pack of mountain lions. His longest completed jump, at Ohio’s Kings Island theme park in 1975 saw him leap over 14 buses.

It’s not clear as yet which part of Knievel’s career the film will cover, but the action man’s dream to span the Grand Canyon (never realised due to the US government’s refusal to give Knievel airspace over the gap) would make a natural narrative arc. That ambition was eventually fulfilled by Knievel’s son, Robbie, who leapt part of the Canyon, owned by a Native American reservation, in 1999.

Tatum, who will appear next in GI Joe: Retaliation before reuniting with Soderbergh for pharmaceutical drama The Bitter Pill, also plans to produce the Knievel picture. He’ll work alongside his film-making partner Reid Carolin and producing team Mike DeLuca and Dana Brunetti, the duo responsible for the upcoming adaptation of Fifty Shades of Grey.

Henry Barnes

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Police issue warning over horror film extras scam

July 12, 2012
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Northern Constabulary advises would-be extras not to respond to adverts asking for a £60 deposit to appear in Wood Evil

Do not enter Wood Evil, police are warning would-be extras on what appears to be a phoney Highlands horror. VisitScotland alerted Northern Constabulary and the Highland Film Commission after being contacted by people who responded to a call for extras on sites such as Gumtree. Respondees were emailed and asked to pay a £60 deposit after being “chosen” as an extra in Wood Evil, apparently being shot in Inchnacardoch Forest, near Fort Augustus.

The force posted on its website: “Film companies would not ask for money from a potential extra. Police are advising anyone who is approached in such a manner not to pay any monies to the company and contact police with information.”

The initial advert reportedly suggested that the film was the latest project by Juan J Campanella, the Oscar-winning director of The Secret in their Eyes. According to Imdb, Campanella is shooting a film called Foosball in Buenos Aires.

Catherine Shoard

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Hunger Games finale Mockingjay to be released in two parts

July 12, 2012
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The third book in Suzanne Collins’s trilogy will be released as part 1 and part 2, in 2014 and 2015 respectively

Like its close cousin Twilight, the final entry in the projected series culled from Suzanne Collins’s Hunger Games trilogy will be split into two films. The third book, Mockingjay, will be released as part 1 and part 2, in 2014 and 2015 respectively.

The initial Hunger Games film, starring Jennifer Lawrence and Josh Hutcherson, outdid expectations when it was released in March 2012, breaking several box-office records and taking more than $670m (£430m) at the worldwide box office. Plans for a sequel based on Collins’s second novel in the trilogy, Catching Fire, were swiftly announced, even though director Gary Ross walked away from the project, citing time constraints.

Water for Elephants director Francis Lawrence was subsequently handed responsibility for maintaining the series’ popularity.

The Twilight series certainly benefited financially from having its final entry split into two. Breaking Dawn Part 1, released in November 2011, grossed $705m worldwide, with similar figures expected for Part 2, due in November 2012. The Hunger Games would seem to be faithfully imitating its strategy.

Andrew Pulver

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Michael Jackson gets the Spike Lee treatment

July 12, 2012
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Acclaimed film-maker is finishing documentary about Jackson’s Bad album, for its 25th anniversary

Spike Lee is in the final stages of post-production on a documentary about Michael Jackson’s 1987 album Bad. The director has uncovered a “treasure chest” of footage, he said, including home movies and behind-the-scenes clips. Lee has also conducted about 40 interviews with the likes of Kanye West and Mariah Carey, as well as many of Jackson’s studio collaborators. Lee has had the full co-operation of Jackson’s estate in making the movie.

The as yet unnamed film is due later this year, to co-ordinate with Bad’s 25th anniversary reissue in September. And just as the remastered album will include an expanded track-list, Lee’s documentary will incorporate lots of unreleased songs. “[Michael] wrote 60 demos for the Bad record,” he said. “Only 11 made it. So we got to hear a lot of that stuff, too.”

A fan of Jackson’s since his childhood, Lee collaborated with the singer in the mid-90s, shooting two videos for the song They Don’t Care About Us. More recently, Lee directed a video for Jackson’s posthumous 2009 single, This Is It. “I’m more than just a huge fan of Michael Jackson,” Lee said. “And having the chance to actually know him and work with him, I deeply care about his legacy.”

The director has also begun hosting an annual Michael Jackson birthday party in Brooklyn: “It’s going to be even bigger and better this year,” he said. This bash, which is open to the public, takes place on 25 August.

Bad, Jackson’s seventh studio album, is the fifth-bestselling album of all time.

Sean Michaels

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Russell Crowe sinks his teeth into Count Dracula

July 12, 2012
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In Eli Roth’s horror-thriller Harker, Crowe’s vampire will be pursued by a dogged Scotland Yard detective

The Hollywood vampire looks set for a major makeover as Russell Crowe prepares to play Count Dracula. The brawny Gladiator star is tipped to impersonate Bram Stoker‘s urbane, bloodsucking European in Harker, a Warner Bros production to be directed by Eli Roth.

According to Deadline Hollywood, Harker will spin Stoker’s 1897 novel into a blood-soaked horror-thriller about a Scotland Yard detective’s dogged pursuit of the vampire. The script is by Lee Shipman and Brian McGreevy and the title role of Jonathan Harker has yet to be cast.

Crowe, 48, and Roth recently worked together on the forthcoming action movie The Man With the Iron Fists. Crowe will next be seen playing the ruthless Inspector Javert in Tom Hooper’s big-screen version of Les Misérables.

Xan Brooks

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Peter O’Toole bids acting ‘a dry-eyed and profoundly grateful farewell’

July 12, 2012
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Irish actor whose role in Lawrence of Arabia 50 years ago assured his status as a screen legend has retired

Peter O’Toole, the Irish actor whose role in Lawrence of Arabia 50 years ago assured his status as a screen legend, has announced his retirement from acting saying: “I bid the profession a dry-eyed and profoundly grateful farewell.”

O’Toole, 80 next month, said his career – which has included eight Oscar nominations but no wins – “has brought me public support, emotional fulfilment and material comfort. It has brought me together with fine people, good companions with whom I’ve shared the inevitable lot of all actors: flops and hits.”

“However,” he added, “it’s my belief that one should decide for oneself when it is time to end one’s stay. It is time for me to chuck in the sponge. To retire from films and stage. The heart for it has gone out of me: it won’t come back.”

O’Toole, whose birthplace is most frequently said to have been Connemara, County Galway, and who has always emphasised his Irishness, won acclaim on stage earlier in his career in several key Shakespearean roles including Hamlet.

He went into acting after serving in the Royal Navy and studying at the Royal Academy of Dramatic Art (Rada). He was among a wily new breed of young actors from the British stage who rose to Hollywood stardom.

“There was a group of us working class actors, Peter O’Toole, Albert Finney, everybody, and we changed the way things were,” Michael Caine said last week in an interview for The Dark Knight Rises.

Fame for O’Toole came in films such as Goodbye, Mr Chips, The Ruling Class, The Stunt Man and My Favourite Year. His role as the adventurer TE Lawrence brought him his first best actor nomination. He won an honorary Oscar in 2003 for his numerous memorable roles.

O’Toole, who lives in London, said he is spending his time working on the third volume of his memoirs.

Ben Quinn

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Fifty Shades of Grey film ties up Social Network team

July 12, 2012
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The production team behind The Social Network are to work on the film version of EL James’s erotic bestseller Fifty Shades of Grey

The makers of a high-profile movie based on the literary sensation Fifty Shades of Grey have hired the producers of the Oscar-winning drama The Social Network to help bring the salacious story to the big screen, according to the Hollywood Reporter.

Michael De Luca and Dana Brunetti are best known for their work on David Fincher’s tale of intrigue and backbiting among the founders of Facebook, for which Aaron Sorkin won the best adapted screenplay Academy award last year. Their hiring suggests studio Universal, which bought the rights to EL James’s bestselling knee-trembler for $5m (£3.22m) in March, is taking the film version very seriously indeed.

Both producers are known for their work with awards season-friendly projects adapted from literary sources: The Social Network was based on the book The Accidental Billionaires by Ben Mezrich, while De Luca produced Moneyball, the baseball-themed drama filmed by Bennett Miller. The latter was adapted from the book Moneyball: The Art of Winning, which detailed Oakland Athletics manager Billy Beane’s adoption of a revolutionary new system which helped transform the team from also-rans to worldbeaters.

“At its core, Fifty Shades of Grey is a complex love story, requiring a delicate and sophisticated hand to bring it to the big screen,” said Universal’s Donna Langley. “Mike and Dana’s credits more than exemplify what we need in creative partners, and we’re glad to have them as part of our team.”

No director or cast has yet been announced for the movie version of Fifty Shades of Grey, though the novelist and occasional screenwriter Brett Easton Ellis has touted himself as the man to write it. “I think David Cronenberg is a great idea for directing Fifty Shades of Grey and we worked together on [my novel] American Psycho in its initial phase,” he tweeted. “I’m putting myself out there to write the movie adaptation … This is not a joke. Christian Grey and Ana: potentially great cinematic characters.”

James’s book, derided as “mommy porn” by critics, centres on a billionaire businessman, Christian, who invites a young virgin, Ana, to become his sex slave. The tale of bondage and domination has become the fastest-selling novel of the year, prompting a rush among publishers to develop their own take on the emerging phenomenon. Universal plans a trilogy based on the novel and its two sequels.

Ben Child

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Woody Guthrie novel to be published … with help from Johnny Depp

July 12, 2012
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House of Earth, thought to have languished for years in a closet, is said to be influenced by Steinbeck’s The Grapes of Wrath

A novel by folk singer Woody Guthrie will be published next year, with help from Johnny Depp. House of Earth, which Guthrie finished in 1947 but never released, is being edited by Depp and author Douglas Brinkley.

Depp and Brinkley revealed their plans in a new essay for the New York Times Book Review. House of Earth is Guthrie’s only “fully realised” novel, they said, influenced by his experiences in America’s Dust Bowl, as well as John Steinbeck’s The Grapes of Wrath. Tracing the story of Tike and Ella May Hamlin, “hardscrabble farmers” in Texas, it is a “searing portrait of the Panhandle and its marginalised Great Depression residents”. Despite a slightly esoteric focus on the importance of adobe housing, House of Earth also includes graphic sex, including “a scorching lovemaking scene on a hay bale”.

At the time of its writing, Guthrie apparently shared House of Earth’s first chapter with musicologist Alan Lomax, who called it “quite simply the best material I’d ever seen written about that section of the country”. But Guthrie only showed the finished manuscript to one person, film-maker Irving Lerner, and it languished for decades in a Coney Island closet. After learning of its existence in the late 90s, Brinkley finally tracked down the manuscript last year, with help from Guthrie’s daughter, Nora.

Since then, Brinkley has teamed up with Depp, whom he met via Hunter S Thompson. The pair previously worked together on soundtrack liner notes for Gonzo, a documentary about their notorious mutual friend. They recently presented House of Earth to Bob Dylan; the singer was reportedly “bowled over” and “surprised by the genius [of the prose]“.

Born in 1912, Guthrie was one of America’s most important folk singers and a principal influence for songwriters such as Dylan, Pete Seeger and Bruce Springsteen. He is best known for his song This Land Is Your Land, as well as compositions such as Pastures of Plenty, 1913 Massacre and Do Re Mi.

House of Earth will be issued by a “major New York publisher” next spring.

Sean Michaels

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The Dark Knight Rises expected to soar past predecessor at box office

July 12, 2012
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Tracking figures suggest Christopher Nolan’s forthcoming final Batman film will perform even better than The Dark Knight

Hollywood pundits believe that Christopher Nolan‘s forthcoming final Batman film The Dark Knight Rises is on course to perform even more impressively than its blockbuster predecessor, The Dark Knight, at the box office.

“Tracking” figures for the new film – estimates based on research by studios into the viewing plans of cinemagoers – suggest it will eclipse the record-breaking $158.4m (£102m) opening of the 2008 movie. The Dark Knight went on to be the year’s highest grossing film, a feat that its successor might be on course to repeat. Research suggests it is tracking just, but not far, behind 2012′s most profitable film so far, The Avengers, which recently became the third highest grossing film of all time.

Nolan’s decision to shoot his final instalment in 2D in order to retain the format used for the previous two films may leave The Dark Knight Rises falling just short of overtaking Joss Whedon‘s superhero movie, because 3D tickets mean higher ticket prices. Multiplexes will also be forced to squeeze in fewer screenings of the new film because it runs to an epic 164 minutes – 21 more than The Avengers and 12 more than The Dark Knight.

Meanwhile, Nolan told Associated Press that he had no interest in being involved in Batman studio Warner Bros’ own proposed ensemble superhero movie, Justice League, which is once again in development following the success of rival studio Marvel’s The Avengers. It will star the caped crusader alongside Superman, Wonder Woman and several other minor characters.

Nolan is involved in the forthcoming Superman film Man of Steel in a “godfather” producer’s role, but said he did not plan to make another movie starring the Dark Knight. “No, not at all,” he said. “We’re finished with all we’re doing with Batman. This is the end of our take on this character.”

The British film-maker added: “Batman will outlive us all, and our interpretation was ours. Obviously, we consider it definitive and kind of finished. The great thing about Batman is he lives on for future generations to reinterpret, and obviously, Warners will have to decide in the future what they’re going to do with him. We’ve had our say on the character.

“I’ve got no plans to do anything more, and certainly, no involvement with any Justice League project.”

The Dark Knight Rises, which arrives in cinemas in the US and UK on 20 July, once again stars Christian Bale as Batman/Bruce Wayne, with Michael Caine, Gary Oldman and Morgan Freeman in supporting roles. New arrivals include Anne Hathaway as Catwoman, Tom Hardy as Bane, and Joseph Gordon-Levitt as Gotham cop John Blake. The film’s events take place eight years after those of The Dark Knight, with Batman emerging from retirement to face a new threat to his beloved city.

Ben Child

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