Daily Archives: July 6, 2012

BBFC president Sir Quentin Thomas resigns

July 6, 2012
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Britain’s chief censor at the British Board of Film Classification is leaving his post after 10 years

The British Board of Film Classification is in fresh need of a new pair of shears after its president, Sir Quentin Thomas, announced his resignation after 10 years in the role. Taking up the position in August 2002, Thomas was partly credited with ushering in a more open – and, critics claimed, more liberal era – at the BBFC, with controversial films such as Antichrist and Irreversible passed uncut for theatrical release.

“When I was appointed, Ali G said it was the best job in the world as you got to watch porn all day,” Thomas, 68, said in a statement. “He was wrong about the porn but right that it is a great job, with ample opportunity to sample the range, depth and diversity of film.”

David Cooke, director of the BBFC, paid tribute to Thomas’s years on the board. “I am very sorry that we have been unable to persuade Sir Quentin to stay on,” he said. “His 10 years as president have seen the BBFC’s classification guidelines, based on wide public consultation, achieve high levels of public and industry trust.”

A former civil servant, Thomas was knighted in 1998 for his “services to peace in Northern Ireland”. He will remain in his post until a successor is found.

Xan Brooks

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Princess Diana documentary Unlawful Killing is shelved

July 6, 2012
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Controversial film about Princess Diana’s death, directed by Keith Allen and funded by Mohamed Al Fayed, fails to secure insurance for US distributors

A controversial documentary questioning the circumstances of Princess Diana’s death has been shelved after insurers refused to indemnify the makers against potential libel lawsuits, reports the Sun.

Unlawful Killing, directed by Keith Allen and funded by Diana’s partner Dodi Fayed’s father, Mohamed Al Fayed, was screened at Cannes last year, though it was not part of the official festival. It alleges that “dark forces” within the British establishment worked to cover up the true details of Diana’s death in 1997.

Producers admitted last year that lawyers had warned them to make 87 cuts if they wanted to show the film in Britain, but the makers had hoped to show the film in the US and other territories to coincide with the 15th anniversary of the deaths of Diana and Dodi in a Parisian tunnel. Unfortunately, insurers have baulked at the prospect because US distributors might have faced litigation through their UK offices.

“Unlawful Killing has been sold all around the world,” a spokesperson for the film told the Sun. “But there was a specific form of insurance needed by the US distributors to cover them for their French and UK offices. This proved impossible to secure. The film has been withdrawn in perpetuity.”

The move will presumably disappoint Al Fayed, who has long argued that the circumstances surrounding the death of his son and Diana were suspicious. He is reported to have put up the film’s entire £2.5m budget and was said to be “delighted” at the results, though Allen argued in a Guardian article last year that the documentary was independently conceived and had not been altered to fit the worldview of its benefactor.

As one Diana movie fades into the dust, so another raises its head above the parapet. The first pictures of Naomi Watts as the princess in the upcoming biopic Diana have hit the internet. The Australian actor plays Diana in her later years in the film, previously known as Caught in Flight, which is being directed by Downfall‘s Oliver Hirschbiegel, best known for his acclaimed drama about the last days of Hitler in his Berlin bunker. The film centres on the princess’s relationships with heart surgeon Dr Hasnat Khan (played by Naveen Andrews) and Dodi Fayed. It is scheduled for release next year.

Ben Child

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Hollywood studio takes aim at Raging Bull 2

July 6, 2012
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The gloves are off as MGM, the studio behind the original Raging Bull, starts legal action to halt filming of a sequel

Those sceptical about the wisdom of making a belated sequel to Raging Bull may find some solace in the news that the Hollywood studio behind the original film is also fairly non-plussed. MGM, which owns the rights to Martin Scorsese‘s Oscar-winning 1980 biopic, has filed a suit in a bid to halt production of the independent feature and ensure it never makes it into cinemas, reports Deadline.

The makers of Raging Bull 2 are believed to have secured rights from Jake LaMotta himself – the former boxer remains a fixture on the autograph circuit at the age of 91. The new film would be based on his 1986 book of the same name, not (as previously thought) the 1970 memoir that spawned Raging Bull. However, MGM says LaMotta is legally bound to give it first crack at the sequel under a 1976 agreement, and is prepared to go to court over the matter.

The studio’s suit further alleges that producers of the new film are unreasonably associating it with the original Raging Bull in order to drum up publicity. Lawyers want to halt the shoot, taking place in Los Angeles with a cast that reportedly includes Tom Sizemore, Natasha Henstridge, Penelope Ann Miller and Joe Mantegna in supporting roles. Martin Guigui is directing from a script co-written with Rustam Branaman, while newcomer Mojean Aria plays LaMotta in his youth and William Forsythe portrays the boxer in his troubled later years.

Deadline says MGM wants compensatory damages, punitive and exemplary damages and more “awarded in an amount sufficient to punish the defendants and to deter those who would commit or knowingly seek to profit from similar actions, now or in the future”.

Neither Robert De Niro, who portrayed LaMotta in the original Raging Bull, nor Scorsese are involved in the sequel.

Nicknamed “the Bronx Bull”, LaMotta was the world middleweight champion from 1949 to 1951, when he lost on a technical knockout to Sugar Ray Robinson. Following his retirement, he owned and managed a number of bars, worked as a standup comedian and took a cameo role in the Paul Newman film The Hustler.

Scorsese’s 1980 biopic cast De Niro in the lead role and focused on LaMotta’s use of violence, both inside and outside the ring, and his eventual fall from grace. The film won Oscars for De Niro and its editor, Thelma Schoonmaker, and is widely regarded as one of the finest American films ever made.

Ben Child

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Alleged murderer cast as policeman in Australian murder thriller

July 6, 2012
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Jonathan Stenberg, accused of decapitating his neighbour, was captured in the outback after six days on the run – during which he stopped off to audition in the Hugo Weaving film Mystery Road

A man accused of beheading his neighbour won the role of a policeman in an Australian thriller but left town before filming his scenes as a nationwide manhunt was launched.

Jonathon Stenberg, 46, was captured in the Australian outback last week after six days on the run from police, but not before he turned up at a casting call in the remote town of Winton, Queensland, where the film Mystery Road – ironically, the story of a murder hunt – was being filmed. Second assistant director Mark Ingram, whose movie stars Hugo Weaving, said Stenberg was the first person to audition, after apparently seeing an advert in a petrol station window.

“He came across as a really nice guy, a really nice guy. He even went and got me a cup of coffee. We were going to use him,” Ingram told AFP. “He came across as one of those kind of guys who you can trust. Ironically, we were going to cast him as a police officer.”

The image of Stenberg painted by the film-maker does not fit the one depicted by police who have been hunting him. The alleged killer reportedly left a hat in place of his victim’s head before fleeing the scene of the crime.

Ingram added: “I’ve held a number of casting auditions, but for a guy who is Australia’s most wanted to come through your door is most unusual. He wasn’t hiding (when he was in Winton). He gave me his name and number.”

Ingram said he tried to contact Stenberg after failing to hear from him for several days but was unable to get through on the his mobile. Nevertheless, Stenberg subsequently emailed him, apologising for not being in touch and writing: “It was nice to meet up but I’ve headed up to the Northern Territory because I’ve got a chance of a job.” A few days later, the former army corporal, who usually worked as a builder and security guard, was captured in the territory’s capital, Darwin, after his abandoned car was identified nearby.

Stenberg is accused of murdering Edward “Ned” Kelly on or before 21 June in northern New South Wales and will be tried in Sydney later this year.

Ben Child

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Eric Sykes dies aged 89

July 6, 2012
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Comedy writer and actor who starred in 70s sitcom Sykes and Harry Potter and the Goblet of Fire has died after a short illness

From writing a film where the only word uttered is “rhubarb” to creating one of TV’s most popular sitcom partnerships, Eric Sykes – who died on Wednesday aged 89 – will be remembered as one of Britain’s finest comedy actors and writers.

Tributes came in thick and fast for a man who was seldom off radios, stages or screens in a career spanning 60 years that will spark different memories for different generations.

Some will know him best for writing and directing the silly slapstick film The Plank while others will remember his sitcom partnership with Hattie Jacques, who played his perpetually exasperated sister.

More recently, in the face of near total deafness and blindness, Sykes appeared in the fourth Harry Potter film and, in 2007, the British comedy Son of Rambow. Even younger viewers will know him as a voice on Teletubbies.

Ken Dodd said Sykes was loved by everyone. “He was a genius at creating comedy: he found laughter in anything. More than anything else, he loved everybody and everybody loved him.

“He worked with the great stars but never got big-headed. He was brave and courageous, wanting to work despite the difficulty with his hearing and sight.”

Sir Bruce Forsyth called him “one of the greats of comedy in this country”. He added: “He was just one of the funniest men ever in comedy. We used to play golf together with Sean Connery. We were a great golfing fraternity. He used to love smoking cigars on the golf course. I’d spike his cigar with my shoes … That’s a loving memory I have of his face when I did that. It was very expressive. He was very lovely, very gentle and not a loudmouth. He was a very clever writer. His scripts were amazing.”

There were numerous fond tweets from a younger generation of performers. Mark Gatiss tweeted: “The wonderful Eric Sykes has left us. A giant of comedy and a gentleman – funny to his very core. RIP.”

Katy Brand wrote: “Eric Sykes goes just as the God particle is found – coincidence? I don’t think so. RIP Eric.”

And Stephen Fry tweeted: “Oh no! Eric Sykes gone? An adorable, brilliant, modest, hilarious, innovative and irreplaceable comic master. Farewell dear, dear man.”

In a long career, Sykes worked with just about everyone in comedy and light entertainment.

Michael Palin said: “He was one of the nicest, most decent men in the business and one of a kind. No one else could do what he could do. To me, he was a great inspiration, both as a writer and performer.”

His films The Plank (1967, remade in 1979) and Rhubarb (1969, remade in 1980) are classics, starring a gamut of comedy stars including Tommy Cooper and Jimmy Edwards.

The actor Bernard Cribbins, who was in the second version of The Plank, said: “He will be very sadly missed. I just wish him a lot of rest up there with all the other comics, Spike Milligan and Harry Secombe. They will all be up there, having a laugh together.”

The comedy writer Eddie Braben said: “Any funny line that I write from now on will be dedicated to his memory as a thankyou … we were great friends.”

He added: “Like Spike Milligan and PG Wodehouse, he was a great British man of comedy. He had a very quirky sense of humour.

“He had a way with his body – he was the only man I ever knew who could do a double take with his feet. Others could do it with their eyes or head – he could do it with his feet.”

Oldham-born Sykes, like many performers of his generation, was introduced to the world of showbusiness through friends he made while serving during the second world war.

After the war, he became one of the most in-demand radio comedy writers, providing scripts for programmes such as Educating Archie, Variety Bandbox and The Goon Show.

He first appeared with Jacques in “Sykes and a …” in the early 60s and by the 70s it had become simply Sykes, one of the most popular sitcoms on TV.

His film appearances were numerous, whether as the bullied servant of Terry-Thomas in Those Magnificent Men in Their Flying Machines and Monte Carlo or Bust; or with Nicole Kidman in Alejandro Amenábar’s The Others.

After TV began to fall out of love with Sykes, he began to take on more theatre work such as the Ray Cooney farce Caught in the Net, or more classical roles in As You Like It and Three Sisters. He also wrote two novels and a 2005 memoir that reflected his self-deprecating nature: If I Don’t Write It, Nobody Else Will.

Sykes’s manager, Norma Farnes, said he died peacefully. “His family were with him,” she said.

Mark Brown

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Tom Cruise is highest paid actor in the world

July 6, 2012
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The 50-year-old earned an estimated $75m in the last 12 months, according to Forbes magazine

Tom Cruise is once again the highest paid actor in the world, according to Forbes magazine‘s annual list.

The announcement, brought forward to capitalise on the Top Gun star’s imminent divorce – Forbes usually publishes its list in August – offers convincing evidence that Cruise remains Hollywood’s most bankable actor at the age of 50. According to Forbes, he earned an estimated $75m (£48m) over the last 12 months, thanks largely to the $700m success of the action blockbuster Mission: Impossible – Ghost Protocol earlier this year. Cruise topped the list despite a disappointing return of just $47m so far for another film he appeared in this year, the musical Rock of Ages.

Last year’s highest paid actor, Leonardo DiCaprio, came second place this time around, and has to suffer the indignity of tying with Adam Sandler. Both stars made $37m over the last 12 months, during which DiCaprio starred in the poorly received Clint Eastwood biopic J Edgar and Sandler appeared in Razzie winner Jack and Jill.

A surprise new entry at No 4 is former professional wrestler turned actor Dwayne Johnson, who made an estimated $36m over the last 12 months following turns in Fast and Furious Five and Journey 2: The Mysterious Island. The top five is rounded out by Ben Stiller, whose voice work in the animated sequel Madagascar 3: Europe’s Most Wanted helped the film to return $426m worldwide last month. Stiller earned an estimated $33m in the last year.

The 2011 Forbes list was an all-American affair, but two British actors make it into the top 10 this time around. In (shared) sixth place is Sacha Baron Cohen, whose turn as a corrupt autocrat in comedy The Dictator helped him to estimated earnings of $30m in the last 12 months. Fellow Englishman Robert Pattinson crept into joint 10th spot with $26.5m, almost all of which came from his role as a sparkly skinned vampire in the Twilight Saga films.

The top 10 for 2012 also includes 2010′s highest paid star, Johnny Depp, who shares sixth place with Baron Cohen on $30m, and Will Smith, also with $30m. New entrant Mark Wahlberg makes ninth, with $27m, and Taylor Lautner, who ties with co-star Pattinson in joint 10th on $26.5m.

Once again the estimated earnings secured by Hollywood’s top male stars dwarfed the figures for their female counterparts over the last 12 months. Only Kristen Stewart ($34.5m) and Cameron Diaz ($34m), the top two on Forbes’ list for women, would have made the men’s top 10.

Forbes top 10 list

1 Tom Cruise, $75m

2 = Leonardo DiCaprio, $37m

2 = Adam Sandler, $37m

4 Dwayne “The Rock” Johnson, $36m

5 Ben Stiller, $33m

6 = Sacha Baron Cohen, $30m

6 = Johnny Depp, $30m

6 = Will Smith, $30m

9 Mark Wahlberg, $27m

10 = Taylor Lautner, $26.5 m

10 = Robert Pattinson, $26.5 m

Ben Child

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20th Century Fox faces high court trademark battle over hit show Glee

July 6, 2012
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Founder of Glee Club comedy night seeks seven-figure sum in damages from Rupert Murdoch’s film studio

20th Century Fox has strongly denied claims its TV show Glee breaches the trademark of a British comedy club, according to legal papers filed at the high court in London.

Rupert Murdoch’s Hollywood film studio is fighting a legal bid by the Birmingham-based founder of comedy night The Glee Club to take the hit TV show off the air in the UK.

Mark Tughan, who runs the comedy nights, wants 20th Century Fox to pay him a seven-figure sum in damages.

He claims the film studio is infringing his trademark “The Glee Club”, which he registered in the UK for merchandise and entertainment services in 2001 – eight years before the first episode of Glee aired on US television.

Tughan’s Comic Enterprises Limited puts on comedy and live music nights under the name The Glee Club in Birmingham, Nottingham, Cardiff and Oxford.

Twentieth Century Fox has vowed to fight the audacious legal claim. Documents received by the high court in London on 14 June, and seen by MediaGuardian, show that the studio vowed to continue airing the popular series in the UK. Glee is midway through its third season on Sky1.

Murdoch’s film company said in its court filing that it was not aware of the Midlands-based comedy night or its trademarks.

It said in its court defence: “It is admitted that [Fox] threatens and intends to continue and repeat the acts complained of. It is fully entitled to do so because the said acts are entirely lawful.”

The studio also claimed that the comedy night – which launched nearly 20 years ago – had not suffered as a result of Glee’s popularity.

Tughan maintained on Tuesday that he had a strong case against 20th Century Fox. “Fox is making a big mistake if they think they can bankrupt me and make me go away,” he said. “I am confident I will win this.”

The trademark dispute, which first came to light in September last year, is likely to head to a high court showdown this year. It was heard briefly at the patents county court in London this year before being moved to the high court.

Glee debuted in the UK on E4 before the rights to the show were bought by Sky in 2011.

Twentieth Century Fox had not returned a request for comment at the time of publication. The studio has instructed the London-based solicitors Simmons & Simmons to fight the claim.

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Josh Halliday

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Bobcat Goldthwait: ‘I’m not going to make a film with Justin Bieber’

July 6, 2012
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The film-maker and actor on celebrity, why he loves guns, and his resentment towards youth

Hi Bobcat! We’ll start with an easy one: what’s wrong with America today?

Jeez, I don’t know. People think I’m crabby having seen the new movie, (1) but I’m not this misanthrope who sits in a dark room, smoking, writing comments under YouTube clips.

People get that impression from the character you play, Frank (2) – he’s that kind of guy.

Yeah, but he’s also a murderer. No one thought I was having sex with animals when I made Sleeping Dogs Lie. (3)

But this film is rooted in day-to-day annoyances. Whereas most people aren’t fellating dogs.

Maybe it strikes a chord because this film is not vague. There are real people and things that are singled out. (4) I guess in most comedy they don’t name names.

It has prompted a fair bit of rightwing ire

I did have a more fair and balanced version where it wasn’t just rightwing people being killed, but I felt that was very pandering. There are faults in the progressive movement, but cruelty isn’t one of them. One of the things that inspired me was watching a clip of Tea Party members holding a poster saying: “We Came Unarmed … This Time.” I see your crazy and I raise your crazy … Still, Frank is kind of conservative. He’s obviously a gun owner. Weirdly, people see this movie as anti-gun, which is funny, because I own a gun.

What for?

I like going out and shooting garbage.

Like setting bottles up on a wall?

Oh sure. Yesterday I went to a range and shot targets all day. I’m a redneck. It’s explosives that you can hold in your hand! When you’re firing a gun you can’t think about the outside world – you have to concentrate on what you’re doing. It’s a little bit like a mental sorbet – cleans the palette. Maybe this is where Frank and I start to meet.

How has celebrity culture changed since the 80s? (5)

A lack of shame can make you a celebrity now. People aren’t very concerned with being fulfilled. I’ve never made less money, but I’m happier than I’ve ever been. Then you had this guy with fame who was making money and he goes and sets the Tonight Show on fire. (6) That’s somebody that’s thinking: I gotta get out!

Why did you do that?

I was in this hamster wheel of being famous for being famous, much like a reality star. You would put me on a talkshow, I would say outrageous things. I was just perpetuating myself as a celebrity and I found that really empty.

Do you feel as if your career is split into two sections? And one has to atone for the other?

No. But there are people who think that before it’s OK to enjoy the movies I make, they have to let me atone. They say: “Oh, he’s coming from a sincere place and asking for forgiveness.” But I just make movies. I don’t really care about people’s perception of me.

But you did describe appearing in the Police Academy films as a “shit decision” …

Sure, but I’m not trying to win people over. At the same time most people were getting out of college, I was offered a buttload of cash to star in a movie. I don’t think most students would have said no.

What’s your attitude towards youth? It seems as if the dads in your films don’t like their kids very much … (7)

There’s a part of me that’s the old dude saying: “You kids get off my lawn” … but a big part of my resentment towards youth is the fact that everything is skewed to the youth culture. Implying that they’re better or they’re important or they’re good.

Aren’t the older generation always going to think kids are idiots?

Maybe it’s a warning to me. That if you don’t go out and engage in the world, you can become a bitter old man. I don’t want that to happen, but at the same time, I’m not going to cast Justin Bieber in a movie.

Footnotes

(1) God Bless America, which sees 50ish divorcee Frank go on a killing spree in protest at modern American culture.

(2) Frank’s crusade is about bringing back manners.

(3) A 2006 Bobcat movie in which the lead … pampers her pooch.

(4) Frank’s victims include reality TV stars and Tea Party demonstrators.

(5) Bobcat was big in 80s standup before signing up as squeaky-voiced maniac Zed in the Police Academy movies.

(6) In 1994, Bobcat set his chair on fire in a live TV interview with Jay Leno. The incident inspired an episode of The Larry Sanders show in which Artie (Rip Torn) says: “Bobcat has serious mental problems.”

(7) Frank’s daughter is a brat. Robin Williams’s schoolteacher in 2009′s World’s Greatest Dad is plagued by his odious teen.

Henry Barnes

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Status Quo: the masters of reinvention strike again

July 6, 2012
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Francis Rossi and Rick Parfitt are making a film. Will they never cease to amaze us with their versatility?

And finally, to Fuji, where Status Quo have apparently answered the prayers of every cineaste: can anyone among us honestly say they haven’t dolefully scanned the listings at their local multiplex or arthouse cinema and found themselves thinking: “Yes, Wes Anderson’s latest whimsical exploration of flawed characters has been well-reviewed, but if only there were an action movie on offer starring Francis Rossi and Rick Parfitt of Status Quo”? But according to Rossi himself, at least one section of society will have responded to this news with little more than a shrug. “The one thing Quo fans know is to expect the unexpected,” he offered. Indeed, who can look at the band’s bafflingly diverse musical oeuvre, a series of perplexing musical volte-faces that have seen them leap without warning from one genre to the next, leaving only confusion in their wake, and not concur?

Alexis Petridis

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Peter Crouch: will he steal Parky’s crown?

July 6, 2012
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The footballer’s venture into the world of talkshows is unlikely to impress the King of Chat

Lost in Showbiz has long concurred with the great Michael Parkinson about the sorry state of the British talkshow. They are trivial, he has claimed. How sad, and how true. So thank God the antidote has arrived with the announcement of Sky’s latest venture into the world of chat: On the Couch With Peter Crouch. Who can have failed to thrill to the news that the Stoke and England striker has made the move into television? Surely not anyone who, like LiS, still holds dear the memory of perhaps the greatest TV comedy show of them all, Rio Ferdinand’s World Cup Wind Ups. Who cannot fail to be buoyed by Crouch’s eminent qualification for his new task, as adduced by a nameless “source” in the Sun this week? “Peter has a good command of the English language,” they offered, thus explaining why he got the job where initial candidates – Nancy Dell’Olio, Leandro Penna, Margerita Pracatan and the Swedish chef off the Muppets – failed.

And what was it that Michael Parkinson thought was lacking from chat shows these days? “Men of intellect, men of tremendous opinion” who “didn’t intellectually downgrade themselves … to appear on television”? LiS can only point open-mouthed to the Sun’s thrilling mocked-up picture of what is apparently to be one of the show’s first encounters – “Crouchy” interviewing Liam Gallagher “in a quirky way” – and mouth those words again: men of intellect, men of tremendous opinion. With all due respect to Barnsley’s avuncular King of Chat, LiS fears it may have to delve even further into televisual history than his heyday to find a suitable comparison. Perhaps not since 1959, when John Freeman travelled to Switzerland to interview Carl Jung, has this kind of intellectual tete a tete been broadcast on British television. LiS can barely wait.

Alexis Petridis

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