Daily Archives: July 4, 2012

The Inbetweeners film to be reworked for US audience

July 4, 2012
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Iain Morris, co-creator of the British TV show, will write and direct the US version of the movie

UK actors have been taking all the plum roles in Hollywood recently, and now it seems we’re set to export some good old-fashioned British teenage debauchery to the US. The Inbetweeners, the Channel 4 television show about four sex-obsessed home counties adolescents that became the highest grossing comedy film in UK history last year when it was remade in movie form, is to be adapted for American audiences on the big screen.

Iain Morris, who co-created the original series with Damon Beesley, has been employed by studio Paramount to write and direct the US version of the film, which is as yet untitled. Prior to that, the British movie will arrive in US multiplexes on 7 September. Not to be outdone, MTV is debuting its US television take on the series on 20 August, according to the Hollywood Reporter.

MTV and Paramount are both owned by Viacom, but it isn’t clear at this stage whether the film and television series will feature the same cast. MTV’s show will star Joey Pollari, Bubba Lewis, Zack Pearlman and Mark L Young.

Hollywood has increasingly looked to the UK in recent years for material to adapt. TV shows such as The Office and Shameless have both been remade for the US market and the British erotica literary sensation Fifty Shades of Grey is set to be made into a Hollywood film. The three best-known comic book heroes, Spider-Man, Batman and Superman, are all being played by British actors on the big screen.

Ben Child

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Status Quo rock the film world with action movie

July 4, 2012
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Bula Quo!, currently being shot in Fiji, will feature a soundtrack of 12 songs by the British rockers

British rockers Status Quo are working on their very own action film in the vein of James Bond, reports NME.com.

Titled Bula Quo!, the movie will feature a soundtrack of 12 “classic” songs from the London-based band. It is currently being shot in Fiji, with US comic Jon Lovitz and former EastEnders actor Craig Fairbrass joining the cast. British stunt co-ordinator turned director Stuart St Paul is in charge of the cameras for the project, which will hit cinemas next year.

“The one thing Quo fans know is to expect the unexpected,” said singer Francis Rossi. Guitarist Rick Parfitt added: “This is an amazing chance for us to do something new and we’re all really excited.”

It is not known whether Rossi and Parfitt plan to star in the film themselves or merely take producers’ credits.

The band are currently working on a new album and will release a single titled The Winner later this month to coincide with the Olympic Games.

Ben Child

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Mel Gibson’s stepmother files restraining order against actor

July 4, 2012
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Teddy Joye Hicks Gibson claims her stepson acted like a ‘wild man’ and poses an imminent physical threat to her

Mel Gibson’s stepmother has filed for a temporary restraining order against the actor and director, claiming he acted like a “wild man” in her presence and represents an imminent physical threat.

Teddy Joye Hicks Gibson, 78, was married to Gibson’s 93-year-old father, John Hutton Gibson, until he filed divorce papers against her last month citing irreconcilable differences. The application, filed yesterday in Los Angeles superior court, claims Gibson “and/or his sister (Maura Dunne) manipulated her husband (a devout Catholic) into filing the divorce action against Joye”.

It continues: “Mel, his sister Maura, and Joye disagreed on Hutton’s medical care. And Mel made it clear that Joye’s views on anything were not welcome and only caused him to be irritated and were ignored.”

The application further describes an alleged incident in May 2012 when Mel Gibson became “incensed and began acting like a wild man” around her. Mrs Gibson says she “could feel his spit hitting her face” as the actor screamed at her. She says the encounter left her “nervous, unable to sleep and caused her to lose weight”.

Mrs Gibson describes her stepson as “a very dangerous man” and suggests in the application that “it is only a matter of time before Mel crosses the line even further and physically assaults me”.

The application asks that Mel Gibson stay at least 100 yards away from her at all times and he “not block or interfere with my attempts to communicate with my husband, Hutton Gibson”. It also protests against attempts allegedly made by the actor to evict Mrs Gibson from the home she shared with her husband for five years.

It is not clear whether Mrs Gibson and John Gibson are yet divorced or remain married pending the outcome of his divorce petition. A California judge has decided against a temporary restraining order and ordered a full hearing next month.

Mrs Gibson’s claims are just the latest made about her stepson, who has become a fixture of gossip sites and magazines. The screenwriter Joe Eszterhas claimed Gibson shouted at him and his family and made antisemitic slurs during a high-profile public row with the actor and director earlier this year over an abandoned film project about the ancient Jewish hero Judah Maccabee.

In 2010 Gibson’s ex-partner Oksana Grigorieva accused him of making angry rants against her as their relationship deteriorated. He has struggled to find work in Hollywood since tapes purporting to reveal the verbal attacks were posted on celebrity website Radaronline.com last year and was also dropped by his talent agency, William Morris Endeavor. In 2006 Gibson was caught up in a furore over antisemitic remarks he made to a police officer who arrested him on suspicion of drink driving.

Gibson has apologised repeatedly for all the previous incidents, which he has variously put down to his struggles with alcoholism, manic depression and the breakup of his relationship with Grigorieva. He has so far declined to comment.

Ben Child

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Helen Mirren calls for more female film-makers

July 4, 2012
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Oscar-winning actor criticises lack of female directors as she picks up lifetime achievement award at Czech film festival

Helen Mirren has added her voice to a chorus of calls for more female film-makers to rise to prominence in the industry. Speaking at the Karlovy Vary international film festival in the Czech Republic, where she picked up a lifetime achievement award, Mirren said she hoped to see at least 50% of films made by women the next time she visited the event.

“I don’t know how many female directors are presenting their films in this festival. I very much doubt that it’s 50%. Not too many, I’m sure,” she said during a speech in which she paid tribute to the film-maker Nora Ephron, who died last week. “When I was making films [early in my career] there were very, very few female directors, and there were certainly no women on set, which made taking one’s clothes off all the more difficult,” she observed, before remarking that directors such as Julie Taymor and Kathryn Bigelow had helped to shift the gender balance. “Things have moved on, but as far as I’m concerned, they haven’t moved on enough,” she added.

Mirren’s comments echo those of fellow Oscar-winner Meryl Streep, who said last month that Hollywood was not paying enough attention to the box-office clout which female-oriented films can muster.

Speaking at the 2012 Women in Film Crystal + Lucy awards in Los Angeles, where she presented a prize to The Help’s Viola Davis, Streep suggested that the US film industry’s failure to recruit female visionaries was one of the reasons for the huge losses racked up by movies such as Disney space fantasy John Carter in the past year.

“In this room, we are very familiar with these dreadful statistics that detail the shocking under-representation of women in our business,” she said. “[Women make up] 7-10% of directors, producers, writers, and cinematographers in any given year. This in spite of the fact that in the last five years, five little movies aimed at women have earned over $1.6bn: The Help, The Iron Lady (believe it or not), Bridesmaids, Mamma Mia! and The Devil Wears Prada.

“As you can see, their problems were significant because they cost a fraction of what the big tent-pole failures cost … Let’s talk about The Iron Lady. It cost $14m to make it and brought in $114m. Pure profit! So why? Why? Don’t they want the money?”

The lack of female representation in film also came up at the Cannes film festival in May after the French feminist group La Barbe took organisers to task for excluding women with a petition published in the Le Monde and the Guardian. All 22 films competing for this year’s Palme d’Or were directed by men.

Ben Child

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Edinburgh film festival closes with reinstated awards ceremony

July 4, 2012
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Penny Woolcock scoops best British feature for One Mile Away while international prize goes to Chinese film Here, Then

The 66th edition of the Edinburgh film festival wrapped up on the weekend with a high-profile screening of Pixar’s Scots-themed animation Brave, and took the opportunity to dish out a handful of awards – a practice that had been abandoned for last year’s controversy-mired event.

The Michael Powell award for best British feature film went to One Mile Away, Penny Woolcock’s documentary about the attempt to forge a truce between two London gangs. This follows the Sheffield Doc/Fest’s bestowal of its Inspiration award on Woolcock, best known for the opera film The Death of Klinghoffer and the urban musical 1 Day.

Winner of the award for best film in the international feature competition was Here, Then, a study of alienated youth in contemporary China from director Mao Mao, while special mention was given to documentary Papirosen, Gastón Solnicki’s portrait of his own Argentinian-Jewish family, which the jury commended for its “beauty, pain and urgency”.

Edinburgh’s main awards were rounded out by best performance in a British feature film, which was given jointly to Bríd Brennan and Andrea Riseborough, who play mother and daughter in Irish-terrorism thriller Shadow Dancer, directed by James Marsh.

Full list

Michael Powell award for best British feature film
One Mile Away, dir Penny Woolcock

Michael Powell award for best performance in a British feature film
Andrea Riseborough and Bríd Brennan, Shadow Dancer

Best film in the international feature competition
Here, Then, dir Mao Mao

Best film in the international short film competition
Dinosaur Eggs in the Living Room, dir Rafael Urban

Best film in the British short film competition and McLaren award for new British animation
The Making of Longbird, dir Will Anderson

Student critics award
Sleepless Night, dir Jang Kun-jae

Andrew Pulver

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The Amazing Spider-Man’s Asian takings point to box-office smash

July 4, 2012
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Industry experts predict huge worldwide revenues after film tops debut showing by The Avengers in Korea and India

The Amazing Spider-Man is on course to be one of the year’s highest-grossing films after opening in Asia with spectacular figures.

Marc Webb’s series reboot beat figures obtained by 2012′s most profitable film so far, The Avengers, in Korea and India, and also posted huge revenues in Japan, the Philippines, Hong Kong, Thailand and Singapore, according to Deadline.com. The film, which stars Andrew Garfield as Spider-Man with Emma Stone as his love interest Gwen Stacy and Rhys Ifans as villain the Lizard, is due to open in the UK and US on 3 July.

The Amazing Spider-Man has been something of a controversial release for Sony, arriving as it does only five years after Spider-Man 3, the final instalment in the previous series of Spider-Man films by Sam Raimi, and only a decade after the character’s last origins story, 2002′s Spider-Man. The $50.2m it has so far taken in 13 Asian markets will give a considerable boost to the studio, which has also seen the film benefit from strong reviews.

Hollywood’s “tracking” system, which estimates box-office figures based on polls of which films cinemagoers are most looking forward to watching, also suggests The Amazing Spider-Man is on course for a strong US debut. The Hollywood Reporter estimates an opening of at least $125m, second only to The Avengers’s $217m in 2012. Joss Whedon’s superhero epic has so far pulled in more than $1.447bn worldwide and stands as the third highest-grossing film of all time behind Titanic and Avatar.

The previous Spider-Man films grossed $821.7m (Spider-Man), $783.8m (Spider-Man 2) and $890.9m (Spider-Man 3) respectively.

Ben Child

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National Indian Education Study Reveals Varying Progress

July 4, 2012
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Average math scores for fourth-grade American Indian and Alaska Native (AI/AN) students attending Bureau of Indian Education (BIE) schools have improved since 2009 according to a national study released today, though the overall academic progress of these students has stalled since 2005.

Statement from U.S. Secretary of Education Arne Duncan on the Anniversary of The Civil Rights Act of 1964

July 4, 2012
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“Forty-eight years ago today, President Johnson signed the Civil Rights Act of 1964 into law. Title VI of the Civil Rights Act states, ‘No person in the United States shall, on the basis of race, color, or national origin, be excluded from participation in, be denied the benefits of, or be subject to discrimination under any program or activity receiving Federal financial assistance.’

124 Applicants Invited to Compete in 2012 i3 Development Competition

July 4, 2012
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The U.S. Department of Education announced today 124 highly-rated Development pre-applicants, all of which are invited to apply for a share of the nearly $150 million 2012 Investing in Innovation (i3) fund.

U.S. Education Department Reaches Agreements with Four School Districts to Increase Athletic Opportunities for Girls

July 4, 2012
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The U.S. Department of Education today announced that its Office for Civil Rights has reached agreement with four school districts to ensure that equal athletic opportunities are provided for thousands of girls.

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