Daily Archives: June 2, 2012

Benedict Cumberbatch to appear in Steve McQueen’s Twelve Years a Slave

June 2, 2012
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Sherlock star will join Chiwetel Ejiofor in true-life story of 19th-century New Yorker kidnapped to work on plantation

Benedict Cumberbatch is set to join the cast of Steve McQueen’s latest project Twelve Years a Slave, according to Variety.

Cumberbatch will join Chiwetel Ejiofor in the British artist turned film-maker’s true-life drama about a mixed-race 19th-century New Yorker who spent more than a decade on a Louisiana cotton plantation after being kidnapped by slavers. Cumberbatch is in line to play a plantation owner who buys Ejiofor’s character and is won over by his engineering skills.

McQueen made a splash with his debut film, Hunger, about the Irish hunger striker Bobby Sands and reunited with the star of that movie, Michael Fassbender, on the critically acclaimed sex-addiction drama Shame last year. Sherlock star Cumberbatch was picked by Steven Spielberg for a key role in the first world war epic War Horse last year, will appear as the main villain in the next Star Trek movie for JJ Abrams and has two roles in Peter Jackson’s forthcoming two-part Lord of the Rings prequel, The Hobbit. As well as voicing the dragon, Smaug, Cumberbatch will lend his tones to the Necromancer. Ejiofor, the star of Dirty Pretty Things and Kinky Boots, also portrays a slave in the forthcoming Annette Haywood-Carter drama Savannah.

Twelve Years a Slave is being produced by Brad Pitt through his production company, Plan B Entertainment. John Ridley, writer of Red Tails and Undercover Brother, has co-written the screenplay with McQueen. Production is set to start next month.

Ben Child

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Men in Black 3 extra sues after costume causes ‘serious bodily injuries’

June 2, 2012
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Danika Gerner files suit accusing Columbia of negligence following alleged ‘wardrobe malfunction’

Men in Black III extra Danika Gerner is suing studio Columbia over a “wardrobe malfunction” she says left her injured and unable to work.

Gerner, a New York-based model and fitness trainer, says the costume provided to her by the wardrobe department for the Will Smith sequel was in a “defective and dangerous condition”, resulting in “serious bodily injuries” over the course of a five-day shoot in May last year. She accuses the defendants – including Steven Spielberg‘s production company Amblin Entertainment and a number of individual members of the film’s costume department – of negligence and failing “to take suitable precautions” for her safety.

Last week, an extra on the latest Transformers film who suffered significant brain damage when a stunt went wrong was rewarded $18.5m in compensation by a Chicago judge as part of a settlement. Last August, a stuntman who suffered brain injuries filming The Hangover: Part Two launched legal action against the film’s studio, Warner Bros. The case has since been settled.

Gernika has not detailed the exact nature of her “wardrobe malfunction” in the suit at the New York supreme court. Columbia Pictures has yet to make public comment on the case.

Ben Child

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Aaron Sorkin to paint ‘heroic’ picture of Steve Jobs in biopic

June 2, 2012
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Writer of The Social Network says working on upcoming film about the late Apple co-founder is ‘like writing about the Beatles’

The Oscar-winning writer of The Social Network, Aaron Sorkin, has revealed he hopes to paint a “heroic” picture of the late Apple co-founder Steve Jobs in a forthcoming biopic.

Sorkin, whose critically acclaimed film about the creators of Facebook took a warts and all view of its subject Mark Zuckerberg, said he planned a different approach this time around. Pointing out that Zuckerberg had been the first “antihero” of a long writing career, he said he much preferred developing heroic characters and did not intend to “judge” Jobs.

“He’s a complicated guy,” Sorkin said yesterday during an on-stage interview at the AllThingsD conference in Rancho Palos Verdes, California. “Zuckerberg was, as well. But when I’m writing this movie, I can’t judge this character. He has to be, for me, a hero. It’s a little like writing about the Beatles,” Sorkin mused. “There are so many people out there that know him and revere him.”

The creator of The West Wing, who last month revealed studio Sony has recruited Apple co-founder Steve Wozniak as an adviser, said he hoped to dispense with the traditional “cradle-to-grave” structure of a biopic, and was intending to produce “a painting, not a photograph” of Jobs’s life. “I’m going to identify the point of friction and focus on that,” he said. Sorkin’s take is effectively the “official” Jobs biopic, since it adapts the bestselling official biography of the technology icon, Walter Isaacson’s Steve Jobs: The Exclusive Biography. Isaacson’s book is based on more than 40 interviews with its subject conducted over two years, as well as interviews with more than 100 family members, friends, adversaries, competitors and colleagues.

A rival indie film is being put together with Ashton Kutcher cast in the lead, however, and producers hope to steal a march on Sony by shooting as early as this month. Joshua Michael Stern’s film will reportedly chronicle the entrepreneur’s journey from “wayward hippie” to co-founder of Apple. “Steve Jobs is a big enough person, and led a big enough life, that there is more than enough room for more than one movie,” said Sorkin yesterday.

No cast or director has yet been announced for the Sony biopic, with Sorkin admitting yesterday that he is still considering how to approach his subject. “I’m at the earliest possible stage with Steve Jobs. What I’ll do is go through a long period that, to the casual observer, might very well look like watching ESPN,” he said. The only previous film to tell Jobs’s story was 1999′s made-for-TV docudrama Pirates of Silicon Valley, which starred ER’s Noah Wyle as the Apple founder.

Ben Child

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George Lucas retiring to make ‘hobby movies’

June 2, 2012
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Star Wars creator ‘moving away’ from production company LucasFilm to pursue more experimental projects

Star Wars and Indiana Jones creator George Lucas has revealed plans to retire from mainstream film-making in favour of “hobby” movies.

Lucas, 68, recently expressed an interest in returning to the experimental form of his early film THX 1138 and other projects he completed as a student at the USC film school. He said in January that he planned to take a back seat from the day-to-day business at his production company LucasFilm and has now confirmed he is stepping away altogether in a new interview with Empire magazine.

“I’m moving away from all my businesses, I’m finishing all my obligations and I’m going to retire to my garage with my saw and hammer and build hobby movies,” Lucas said. “I’ve always wanted to make movies that were more experimental in nature, and not have to worry about them showing in movie theatres.”

Lucas’s disillusion with Hollywood is believed to stem from his difficulties in getting war movie Red Tails distributed last year. The film, which Lucas eventually funded with $58m of his own money after studios refused to back it, is the story of the Tuskegee airmen, a squadron of untested African-American pilots who won nearly 100 distinguished flying crosses during the second world war. It was directed by The Wire’s Anthony Hemingway, with Lucas taking a producer’s credit. It opens in the UK in June.

Lucas’s latest declaration casts doubt on plans for a fifth Indiana Jones movie and proposals for a Star Wars TV series, which is on hold owing to budget concerns. Lucas had been set to write and produce the first season before handing the project over. It was billed as a “dark and adult” show set in the period prior to the original trilogy and focusing on a group of underground bosses who control drugs and prostitution in the Empire.

Ben Child

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U.S. Education Department Announces Resolution of Dearborn, Mich., Public Schools Civil Rights Investigation

June 2, 2012
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The U.S. Department of Education announced today that its Office for Civil Rights has entered into a resolution agreement with the Dearborn, Mich., Public Schools to resolve a proactive enforcement action initiated at the district in April 2010.

Education Department Releases Proposal to Help Thousands of Disadvantaged Students Access College Through Savings Accounts

June 2, 2012
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The U.S. Department of Education today announced that it will further help thousands of disadvantaged students access higher education through investing in college savings accounts.

All hail Her Majesty, the last silent celebrity in the land | Marina Hyde

June 2, 2012
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It is truly remarkable how little we know about the Queen – if only she had transmitted such a quality to her offspring

Wherever you stand on Her Majesty Queen Elizabeth II, although actually standing on her is obviously treasonous, she is the last silent celebrity. In an age where the drive has been toward ever more extreme and frequent acts of self-disclosure, she has always grasped that silence is the most intriguing statement of all. We know more about someone who has been a contestant on a reality show for one week than we do the woman who has been on the throne for six decades.

Public figures who do not grant interviews make hen’s teeth look like spam emails. Kate Moss was briefly one, staring mutely out from photoshoots and paparazzi shots, and all the more fascinatingly mysterious for it. But I remember stumbling on a documentary in which she was shown arriving at Glastonbury and, for the first time in my experience, opening her mouth. “You’ve no idea what a facking nightmare we’ve had getting here,” she squawked at some backstage greeter. It was akin to the needle being scraped across a record. It wasn’t that Mossy was being unpleasant – she wasn’t – it was just that the spell was broken. Since then she’s given all sorts of interviews, and the compelling unknowability has vanished.

Of course, we’ve heard the Queen speak (if not say the word “facking”). But since she’s never given an interview, the assessment of Where She’s At Right Now is limited to analysing scarcely perceptible eyebrow movements during the so-called Queen’s speech, or decoding her studiedly code-free Christmas messages. You can’t even liken her to stars like Greta Garbo, who withdrew from the public gaze, because she never has. She is an emotional recluse on public parade – perhaps the only emotional recluse in modern public life, where you can’t win an election or even read the news without affecting a full range of sensibilities.

Rather than running the gamut of emotion from A to B, as Dorothy Parker remarked of Katharine Hepburn, Her Majesty declines even to admit to A. She just keeps buggering on, inscrutably. It’s remarkable how much of what we think we know about her is fiction, a composite born of Alan Bennett and Helen Mirren, which people choose to find more convincing than the supposedly real-life sovereign stylings of Paul Burrell. (My favourite “recollection” of Princess Di’s butler, who you’ll recall had half her dresses in his attic for safekeeping, will remain the several hours he spent alone with the Queen shortly after Di’s death. “Be careful, Paul,” she apparently implored the future I’m A Celebrity contestant. “There are powers at work in this country of which we have no knowledge.”)

The only time the emotionless strategy appeared to have failed Her Maj was in the bizarre period after Princess Di‘s death, when she was bombarded by all those mawkishly hectoring tabloid headlines claiming “your people need you, ma’am”. Who knows what the Queen’s private verdict on such naked buckpassing truly was, but perhaps she thought that what her people actually needed was to pull themselves together.

And oddly, that was certainly the opinion to which plenty of those who briefly lost their heads to the emotionalism eventually came, somewhat sheepishly. What an irony that the thing the Queen was judged to have got most wrong was perhaps the thing she was most right about, the ultimate instance of being able to retain perspective when all around are losing theirs. Meanwhile, Tony Blair, amusingly lauded for his general response to Diana’s death and his scenery-chewing reading of Corinthians at her funeral, is now the name most frequently cited by those warning republicans to be careful what they wish for. President Blair, they screech (annoyingly missing the obvious point that presidents are only presidents for the period of time the people elect them to be so).

It must be said that Her Majesty hasn’t managed to transmit the power of silence to her children, though that famous picture of her merely shaking the hand of the three or four year-old Prince Charles after months away might suggest she has tried. For a couple of decades back there, the clan became our version of The Simpsons, the most high profile dysfunctional family in the land. The Windsors lacked the warmth and charm of their Springfield counterparts, of course, but were a similarly nuclear family, in a Chernobyl kinda way. They certainly never let you down with an episode, lurching from The Grand Knockout Tournament through Charles’s tampon fantasy to a few soap operatic divorces. Since the Burrell trial and its hilarious fallout, though, they’ve been disappointingly quiet on the unplanned entertainment front.

That may well change, given that those upon whom it will fall to be operational – Prince William but most pressingly Charles – appear not to have identified that inscrutability has been the keystone of the Queen’s mythmaking. Pettish, peremptory, idiotically conservative, lacking in self-awareness, and perhaps a hundredth as clever as he thinks he is – if only we didn’t know quite so much about Charles and his views on everything. There are less scrutable Big Brother contestants. Après mama le déluge? Well, perhaps it’s not the weekend for issuing flood warnings.

Twitter: @MarinaHyde

Marina Hyde

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Let it reign, ma’am, says loyal Gary Barlow

June 2, 2012
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The singer’s love for the Queen knows no bounds, as he prepares for the Diamond Jubilee

With the Jubilee just days away, perhaps now’s the time to reflect on the depth of Gary Barlow’s love for Her Majesty, and his ongoing quest for a knighthood.

Gary’s love affair with the Windsors comes to a head this weekend with what we might term Glasma’ambury, a Barlow-curated musical extravaganza that’s rumoured to kick off with Shirley Bassey atop Buckingham Palace belting out Diamonds Are Forever – a reasonable start – but also threatens Ed Sheeran, so at least there’s a toilet break.

“She’s surrounded by this powerful aura,” the Open Road hitmaker says of the Queen, “but it’s an aura that feels warm, good and nice. I’ve met some powerful people in my life and there’s often a darkness you get with power. Not with the Queen. You never get the feeling that she has abused her power.”

He was even more scathing in February, snorting dismissively: “I love the monarchy and the Queen.” He’ll be disappointed with anything less than a CBE, won’t he?

Peter Robinson

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Jessie J is positive she’ll unfollow negative tweeters

June 2, 2012
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Oh the irony: first Jessie J labels The Voice ‘lame’, then she decides to wage war on negativity

If you had been involved with The Voice, with its miserable, atmosphere-free live shows, ratings that have more than halved in the space of a month, and the long, slow limp towards Saturday night, when the BBC airs its least-anticipated finale since the fall of Eldorado, you would probably have encountered enough negativity for one month.

That certainly seems to be the case for serious-faced Lycra apologist Jessie J, who is so bored with the whole coaching business that she has been running her own spoilers on Twitter. At one point she even described The Voice as “lame”, which is harsh indeed from the woman who said her experience with a broken foot gave her “a different respect for people who don’t have legs”. Enough was enough for Jessie on Wednesday. “Don’t wanna see any negative or moany tweets on my timeline any more,” she declared. “I’ve decided it’s a straight #unfollow if I do.”

On the surface of it, this is a reasonable declaration of war on negativity: the Voice-related woes must be bad enough, but all the more distressing when combined with Twitter’s resident tsunami of snark. Monitor the @-replies of most celebrities and it’s hard not to agree that a blocking spree is the best route. There’s the now-legendary incident of Cher Lloyd tweeting the cheery message, “Its mamma lloyds birthday!!! Love you mum! Xxxx.” Apostrophe crimes offend us all, but it was a bit strong when Lloyd was rewarded, within minutes, with: “shut the fuck up before I kill your mum in front of you.” In reality, most responses are less outré, but it’s the relentlessness of the negativity, usually in response to quite upbeat announcements, that grinds celebrities down. “SO?” is a particularly popular retort, along with the classic “yawn”. “WHO CARES?!?” is a peculiar favourite among those who have chosen to follow celebrities.

So blocking strangers is understandable, but Jessie J’s intended moan supression takes things a step further. She’s saying that of the 727 people she has chosen to follow – fans, Gary Barlow, Lulu – nobody should tweet negative thoughts. In Jessie J’s world there will be only happiness. Cocooning oneself is a standard celebrity defence mechanism but Jessie’s sadface siege mentality recalls BBC news reader Martyn Lewis with his twee 1993 demand that television should show more “good news”. The world, unfortunately, is a terrible place full of death, destruction and Will.i.am’s jackets, and Jessie J could be doing herself, and her career, some serious harm by turning her back on reality.

Peter Robinson

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Poor pregnant Chantelle, having to deal with fiance Alex Reid’s marathon cross-dressing solo sex sessions

June 2, 2012
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Alex Reid, dressed as his female alter-ego Roxanne, was ‘wild and scary’, says Chantelle Houghton after she walks in on him

As flat denials go, “Hahahaha!” isn’t really up there with, say, “There is no truth whatsoever to this story.” But we should know by now never to underestimate cage fighter, stripper and – with a new single and furniture range on the horizon – popcultural polymath Alex Reid. In fact “Hahahaha!” is just one of the highlights from Reid’s latest statement.

“It’s such a funny, funny story, hilarious in fact!” he solemnly noted on his website last week. “Hahahaha! We were rolling around on the floor laughing, hahaha!” The statement concludes by signing off: “Brilliant stuff, next!!!!”

What is he denying? Well, it’s the classic story of heavily pregnant woman – in this instance the fragrant Chantelle Houghton – arriving home early from a tooth-whitening launch party to discover her fiance, dressed as his female alter-ego Roxanne, in the middle of a marathon solo sex session.

An insider of one sort or another told New! magazine this week that Reid “was indulging his fantasies” – the mind boggles, particularly since even Jordan once claimed to be alarmed by Reid’s “issues” – “and there were sex toys in the house”. Houghton described Reid’s eyes as “wild and scary”, which prompts a minor blip on the euphemismometer, but the main point, buried in the copy, is that Reid remained in the house, by himself, for a further four days. Whichever way you look at it, there must have been chafing, although as feats of endurance go it’s still nowhere near the grim challenge posed by the harrowing 3:47 duration of Reid’s debut single Stardust.

Mercifully, New! magazine’s coverage of Chafegate does not end with its three-page cover story. Turn the page, and it’s Chantelle’s Pregnancy Diary, which includes a box headlined “Sorting things out”. Addressing claims (on the previous page) that she had moved out of the flat, she notes: “It’s nice that people care, but I don’t really want to talk about it.” But what about Reid’s statement? “Alex has released a statement about cross-dressing,” Chantelle accepts, adding helpfully: “but I don’t want to comment on that either.”

It’s a bit like a real-life version of Viz’s letters page, with a missive on page 10 furiously disagreeing with the letter writer on the previous page. But that, surely, is the end of that? Not quite! Turn the page again and there’s a riotous full-page interview with Alex himself. Also present in this interview is Reid’s “PR man Richard”, who helps Reid when he gets stuck. At one point, Reid is discussing his musical collaborators, who inexplicably opt not to go under their real names, but under the pseudonym of Shelter. “Help me out here, Richard,” Alex says. “How do I explain Shelter?”

“Shelter are writers and producers who have worked with you on the lyrics and produced music to suit your voice,” offers Richard.

“Exactly,” decides Alex.

Things come back to the matter in hand, as it were, at the end of Reid’s interview, with a question about why Chantelle left him. “We’re not answering that question,” Richard helpfully announces. This is an opportunity for you to give your side, offers New! journalist Patrick Strudwick. “No comment. It’s an irrelevant question because it’s not valid,” Richard confusingly decides.

Celebrities turn on each other so frequently that we’re quite familiar with the spectacle of couples playing out their lives, their loves and their squabbles in the pages of magazines, but it’s hard to recall a similar instance of the story unfolding across successive pages of the same magazine. It is disappointing, really, that New! allows this particular storyline to end on page 13. One half expects the Coronation Street preview, which begins: “Weddings rarely go smoothly in Weatherfield,” to be interrupted by Chantelle screaming: “BUT AT LEAST NORIS DOESN’T TURN UP IN FISHNETS!”, or for the horoscopes page to offer up some thinly veiled advice to Reid. Mind you, it doesn’t take a psychic to predict that of the three people in Alex and Chantelle’s forthcoming marriage, it’s Roxanne who will dominate the headlines.

Peter Robinson

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